Vizcaya Museum and Gardens
Imagine a historic Italian estate in a spectacular subtropical setting and you’ll begin to imagine Vizcaya!
Built as the private winter home of American businessman James Deering in the early 1900s, Vizcaya is now open year-round for your enjoyment.
We invite you to experience the beauty and history of Vizcaya’s majestic Main House and expansive bayfront gardens, just moments from downtown Miami.
Vizcaya features an architecturally significant Main House with 34 decorated rooms, ten acres of formal gardens and diverse collections including European antiquities, American art commissioned in the 1900s and century-old plants. The estate is unusual for retaining so much of its original character, configuration and collections. Caring for Vizcaya’s spectacular historic elements and sharing them with others are our ongoing challenge and priority.
Vizcaya, the winter residence of James Deering (1859–1925), was built between 1914 and 1922 in the Coconut Grove area of Miami. The estate was entirely surrounded by subtropical forest—the Main House and the formal gardens appeared as a dreamlike vision in the midst of the jungle on the shores of Biscayne Bay. Today, Vizcaya is an oasis of silence and green, miraculously preserved just south of Miami’s modern skyline.
Vizcaya was conceived as a modern and subtropical interpretation of an eighteenth-century Italian villa, in particular the country estates of the Veneto region of northern Italy. Its designers adapted traditional Mediterranean architectural elements to the subtropical climate with a remarkable sensibility for environmental issues. The heart and main living area of the house is the Courtyard, which was originally open to the sky.
The house was designed to take full advantage of its location on Biscayne Bay. Deering wanted Vizcaya to be approached and seen from the sea, and the east façade on the bay is the most monumental and the only symmetrical one—it opens onto a wide terrace that descends toward the water.
The other sides of the house have unique relationships with the surrounding grounds. The west façade, which has greeted visitors since Deering’s time, is simple and contrasts with Vizcaya’s elaborate interiors. The north façade accommodates one of Vizcaya’s most delightful inventions—the swimming pool that emerges from vaulted arches at the lower level of the house. The south façade opens onto the formal gardens with enclosed loggias on the first and second floors.
On the first floor, several reception rooms, the Library, the Music Room, and the Dining Room surround the Courtyard. The second floor housed Deering’s personal suite of rooms and guest bedrooms as well as a Breakfast Room and the Kitchen.
The interiors of the Main House were meant to suggest the passing of time and the layered accumulation of artifacts and memories. The rooms were designed around objects acquired in Italy and assembled into new compositions by Chalfin.
At Vizcaya, the reference to the past was coupled with an enthusiastic embrace of technology, modernity and comfort. Regardless of its Baroque appearance, Vizcaya was a very modern house. Many are surprised to learn that it was built largely of reinforced concrete, with the latest technology of the period, such as generators and a water filtration system. Vizcaya was also equipped with heating and ventilation, two elevators, a dumbwaiter, a central vacuum-cleaning system and a partly automated laundry room.
Both the house’s aesthetic significance and modern efficiency were celebrated in architectural and engineering magazines of the time.